摘    要:本篇论文以宋代七夕词为研究对象,结合具体词作,从时代变迁角度(围绕宋室南渡这一历史事件)及词人个体意识出发,分析七夕词从乞巧到反乞巧的过程及原因,试论宋室南渡与七夕词的嬗变。

本篇论文共分为三章。

第一章对两宋七夕词涉及的内容进行简要概述,主要是将七夕词按照表达思想分为三类:第一节是展现乞巧活动的风俗词;第二节为描写牛女神话的爱情词;第三节系体现反乞巧与爱国主题的寄寓词,并结合相关词作展开论述。

第二章分为三节,主要是结合相关词作,论述宋代七夕词从乞巧主题到反乞巧主题的变化,试论宋室南渡与宋代七夕词主题嬗变的关系。第一节是北宋至南渡前以乞巧主题为主的七夕词;第二节写宋室南渡做为宋代七夕词的重要转变的转折点;第三节写宋室南渡后出现的更多的关注个体感受与社会现实的反乞巧词。

第三章则主要说明反乞巧词在纪事层次、艺术境界及情感层次三方面的重要意义。 

                                                                                                                           

Abstract  :Based on the qixi poesy of Song Dynasty for this thesis,and match with some exact poesy, we can start from the view of the change of the time(around the historical event of Song’s Nandu as the center)and the inpidual consciousness of the word man ,analyze the process and reasons why the Qixi words changed from qiqiao to anti-qiqiao,and finally try to analyze the evolution relationship between the nandu of Song Dynasty and Qixi Poesy.

This paper is pided into three chapters.

Chapter one involves a brief overview of the Qixi poesy in Song Dynasty,and pided it into three sections:the first section is the custom poesy to show the qiqiao activity;the second section is the love poesy which is describing the myth of the cowherd and the wearing fairy;the last section is the allegorical poesy which reflects the theme of anti-qiqiao and patriotic.All parts are discussed in combination with specific poesy. 

Chapter is pided into three sections, it briefly discuss the change of the theme of the Song’s qixi poesy which changes from qiqiao to anti-qiqiao,and tries to discuss the relationship between the nandu of Song Dynasty and the change of qixi poesy’s theme according to the time node. Section one discusses the qixi poesy with the theme of qiqiao between North Song until the nandu’s eve.Section describes that nandu is the turning point for the change of Song qixi poesy.Section three discusses the anti-qiqiao poesy which pay more attention to inpidual feelings and social reality after the nandu of Song Dynasty.All parts are discussed in combination with specific poesy. 

Chapter three discusses the important meaning of the anti-qiqiao poesy in in the documentary level, artistic realm, and emotional level briefly.

关键词: 七夕词; 牛女神话; 反乞巧; 宋室南渡

Keyword: Qixi Poesy;cowherd and the wearing fairy’s myth ;anti-qiqiao;the nandu of Song Dynasty 

目录

摘    要 3

Abstract 4

绪 论 6

第一章 两宋七夕词的内容 8

第二章 从乞巧到反乞巧 10

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