摘 要:中国人物画创作历来都存有主题的。而且随着时代的发展其主题也随之改变,中国人物画家的创作理念不能离其客观的观察与研究,还要有积极的观念和个性的方法来创作。艺术家应该以客观为载体,艺术的观念、个性的方法来创作。中国画发展到今天,有人认为可以不要“主题”,认为“主题”过时了,其实无论是何时中国画创作都存在着主题,主要是主题的概念不一样。主题不只是过去式的“主题先行”与“构思巧妙”,绘画之前先定下“主题”,再依据事先定好的“主题”的要求绘画内容,画本身就是有主题,表现一个作品中的一个人物的朴素形象,喜怒哀乐,都是“主题”,创造一种形式,就是“主题”。主题问题不是过去狭窄的,而是一个宽泛的内容。但也绝不是即兴之作随意涂抹就行的。中国画一定要按其创作规律,赋予画面情感和精神而有内容有目的去创作的,主题是随社会进步时代发展而“当随时代”,主题是永恒的。37836 毕业论文关键词:主题先行 主题性 构思巧妙 永恒 关爱
On the theme of modern figure paintings in traditional Chinese paintings
Abstract:The theme of Chinese painting creation has been changed with the development of the times, and the creation of Chinese characters and artists should not leave their objective observation and study, but also have positive ideas and personality. Artists should create the concept of object, which is not only the theme, but also the theme of "the theme" " , according to pre-determined "theme" of the requirements for the content of painting, painting itself is a theme, simple image of a character in a work of art, emotions are "theme", to create a form, is the theme. The theme not past the narrow, but a broad content. But it is by no means an impromptu daub on the line.
Keywords:designing the theme embodying the theme skillful construction eternity care