浅谈李邕书法的继承与创新
毕业论文关键词：李邕；唐代；书风；继承创新
Similarity makes conventional,Imitation makes extinct
—Introduction to LiYong inheritance and innovation of calligraphy
Abstract
Li Yong is a celebrity with a high literary reputation in Tang dynasty, and also has properly unique calligraphic style. He imitated two noted calligrapher Wang Xizhi and Wang Xianzhi before, however, he carries on innovations. In his book, Li Yinjian said that the subtleties in his calligraphy were similar with Wang Xizhi and Wang Xianzhi, but his fluent style stems from his personality. Li Yong makes difference in form and structure with the two people and his calligraphy is impressive. He has a great influence in Tang dynasty and his calligraphy becomes popular with later generations which is dominant in calligraphic province. Li Yangbing highly praised him for his creative spirit. Owning to a sense of innovation, he becomes a maverick genius and he cautions futurities that pure imitation makes conventional and extinct. His precious experiences tell us that we need learn from predecessor and it is not enough, so the key is creation.
Key Words: LIYong Tang Dynasty Handwriting Inheritance and Innovation
目 录
摘要1
AbstractⅡ
目录Ⅲ
一、“似我者俗，学我者死”观点成因1
（一）家学渊源1
（二）交游及自身修养1
（三）官宦生活2
二、书法的继承与创新3
（一）峻厚自然的笔法3
（二）奇崛险要的字法4
（三）气韵贯通的章法4
三、“似我者俗，学我者死”对后世的影响6
参考文献7
一 “似我者俗，学我者死”观点成因
李邕，字泰和，广陵江都（今江苏扬州）人，生于公元675年（唐高宗上元二年）。[1]曾任北海太守，故人称“李北海”。李邕少习文章，留心翰墨，他是盛唐书法革新派的中心人物，在书法艺术上以笔意纷纷而闻名于世。其行书从“二王”入手，能入乎内而出乎其外，李后主说：“李邕的右将军之气而失于体格，”恰好道出李邕善学之处。魏晋以来，都以正书碑铭刻石，入唐以后，李邕以行书入碑，个性非常明显，令人耳目一新，而这独树一帜的书法艺术早在当时就已成为相竞模仿的对象。但他似乎不太喜欢别人都来模仿他，《李北海集•附录•遗事》载：“李北海书当时使多法之，北海笑云：‘学我者俗，似我者死’。”可见他对待当时取法他人书风的学者的态度，也表现了他自己学书道路上的思想，而这句名言更是千百年来被广为引用。
“行者，真之捷而草之详”。[2]李邕以“似我者俗，学我者死”的观点要求学书者，其独树一帜的风格也并非首创，但是成就和影响都是最大的。刘熙载说过：“笔情墨性，皆以其人之性情为本。” 书家书风的形成不是一挥而就的，是一个长期累积和实践的过程，李邕的书风也不例外。
（一）家学渊源
上一篇：光和影在油画创作中的运用