自然美在现代陶艺创作中的体现
Chinese ceramic art in the contemporary era demands self-consciousness. Tempted by modernism, vogue and conceptation, modern ceramic art creation in China pays more attention to thoughts and concept, ignoring the exerting and developing of ontology language of ceramic art. The aesthetic theory of natural beauty has been significant to aesthetic assessment and sensibility all through the ages. Bringing up again natural beauty, a traditional aesthetic theory, appears necessary. Achieve the dialogue between human beings and nature while seeking for the spontaneous expression of ceramic art language. Search for a developing way fitting ceramic art between tradition and modernity. In this way we can find a mode calling for the soul return. It makes ceramic art correspond with the essence of art regression, entering a conscious age belong traditional ceramic culture as well as modern humanistic value, and analyzing the natural beauty implied in classic works of ceramic art, ponder on its inspiration to ceramic art creation, and the reality of the art self-consciousness.
Key Words: Contemporary Ceramics; natural beauty; traditional culture; morphology of America
目 录
摘 要 1
ABSTRACT 1
一、绪论 3
二、关于陶艺 3
（一）现代陶艺的概念 3
（二）现代陶艺的分类 3
三、自然美的含义 4
（一）自然美的概念 4
（二）自然美的形态之美 4
四、自然美对现代陶艺创作的意义 4
（一）传承传统文化 4
（二）契合人内心的回归 5
五、自然美在现代陶艺创作中的体现 5
（一）材质的自然美 5
（二）造型的自然美 6
（三）装饰的自然美 6
结论 6
谢辞 7
参考文献 8
一、 绪论
陶瓷艺术是一种艺术形态,这种艺术形态是全部的艺术门类中最为简洁与单纯的,也是最早出现的一种艺术形态。作品的创作者通过个人的思想、意念、情感、经历运用陶艺来诠释，陶艺是创作者对自然的感悟，是对个人情感的抒发，在创作的过程中加入自己的思想。在陶瓷艺术品中也时而见到有具象的造型配工笔画或是带有神秘感的抽象让人捉摸不透的艺术造型。釉色也是如此，釉色不同也表现了创作者的不同感悟。具象与抽象两者虽然在创作手法和思想上有所不同之外还是具有千丝万缕的联系。现代的陶瓷艺术继承了传统的陶瓷艺术而慢慢发展，两者之间再相互影响、制约从而形成了现代陶瓷艺术制作的新景观。
二、 关于陶艺
（一）现代陶艺的概念
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