Abstract:This paper takes Italy composer Verdi's opera "Rigoletto" in the Duke of Mantua as the research object, based on character, the psychological characteristics of drama, and asocial reality at the time, carries on the discussion and analysis. The Duke of Mantua the character image, by comparing the two famous tenor aria, analysis of the Duke image morecarefully.
The whole article from the first chapter introduces the composer Verdi crude abuse,readers can understand the composer, with a composer of the social situation at that time,can be a preliminary understanding of the opera would like to express. Then the Duke of Mantua psychological personality, make a brief understanding, so that we can feel that this is a kind of role. The third chapter, the premise of his unique style and the theme music,and then analyzed by the representative of the arias of the Duke of Mantua, deeply on the character of the image analysis, the fourth chapter of the artistic value of opera "Rigoletto".Through the analysis and research of the whole opera, not only let us have a new understanding of the art of opera, can also help us to improve our own future foroutstanding works appreciation, from a beginning to now can only see the surface of the deep analysis of the connotation of the works have a significant upgrade.
Key words: Verdi; the Duke of Mantua, shaping the image; artistic value
第一章 威尔第及其歌剧《弄臣》
1.威尔第的歌剧创作
“艺术是整个世界的……但它又是由个人创造的。”威尔第曾说过这样的话。在《游吟诗人》和《茶花女》于意大利首次上演之后,威尔第的这两部歌剧给当时的人们带来了深远的影响。不过,当时英国的学院派和批评家对这两部作品并没有抱多大热情,他们一致认定了《奥赛罗》和《法尔斯塔夫》。可是,正是这样一位“意大利歌剧的杰出大师”却出身于贫贱的环境。他诞生在意大利北部兰柯尔地区的一个小村子里。1828年有一个巡回演出剧团在布塞托剧院上演了罗西尼的《文塞尔的理发师》,威尔第为该剧写了一个序曲并取得了很大成功。一个偶然的机会,年轻的威尔第得到一位爱好音乐的商人赏识,于是这位商人出资,给了威尔第去米兰学习音乐的机会。在音乐的创作之路上,他把对生活的理解,以鲜活的音乐,表达在自己的作品中。通过生动的人物形象,使其产生出巨大而又感人的戏剧效果。
歌剧《弄臣》是根据法国作家文克多雨果的戏剧“国王”改编而来,威尔第负责音乐创作。首演于威尼斯剧院,是对威尔第的杰作,走向成熟的第一步,原标题是“诅咒”,随后更名为“弄臣”。为什么作者选择这个主题歌剧是因为我觉得剧本和他的环境有很多类似的人物,命运的感觉扭曲深深吸引了他。剧中所处的那个社会,和当时威尔第所处的那个被封建统治的不平等的社会,与威尔第产生了共鸣。