摘要: 篆书作为书法艺术发生的源头和其它书体的根源,占有特殊的地位,所以古人有“学书先学篆”的说法。唐孙过庭提出“篆尚婉而通”成为对篆书审美理想的总结与要求。秦代确立小篆的官方正统地位,清代碑学崛起后涌现出一批金石书刻大家,取法秦汉又加以创新自成风貌,如邓石如、吴让之、赵之谦等人,给篆书一体注入了崭新的活力。27309
关键词: 小篆 婉而通 流畅 邓吴书风
Acquisition of heart solution
Abstract: the seal character as the calligraphy style of source and other causes of occupies a special position, so the ancients have "learning book study of" first. Tang Sun principles put forward "of shang wan tong" become a summary of the seal character of aesthetic ideal and requirements. Qin dynasty established official legitimacy, after the rise of the qing dynasty stone inscription rubbings emerge a batch of carved stone book, learning from qin and han dynasties and by innovating its style and features, such as Deng Shiru, let wu, zhao zhiqian et al, to seal character which has injected new vitality.
key words: seal script Wan and general smooth The wind Deng Wu book
我学书的契机源自我的父母。母亲喜欢美的事物,父亲是一名踏实严谨的工程师,写得一手职业特征鲜明,没有艺术感但极端庄工整、和谐统一的“方块字”,正是这种近似于印刷体的书体开启了我的学书之路。小孩子写字不谈“艺术”,工整统一、干净清爽就是美,很快我就掌握了这种把字写工整的技巧。后在书法班中进行更系统的学习,硬笔打下基础后,软笔初学东汉各名碑,秀逸如《曹全》、劲健如《礼器》、朴茂如《乙瑛》、古拙如《张迁》、古朴如《史晨》、奇古如《华山》、恣肆如《石门颂》、雄峻如《西狭颂》……在面貌各异的汉代碑刻书法中领会其天然意趣,后临习各体楷书,工整严谨如《九成宫》、清丽刚劲如《雁塔圣教序》、灵动沉稳如《张黑女墓志》、隽永洒脱如《智永真书千字文》……大抵在规整严谨一路的楷书中打下基本功,然而对于线条的理解一直很浅显,直到于婉转通畅的篆书学习中领悟到线条质感之解处。