莫言小说的电影之路研究
关键词：莫言；当代语境；影视改编；人文关怀；文化冲突
The Study of Film Adaptations History about Mo Yan’s Novels
Abstract：The literature has tended to be cinematic from the 20th century when mankind stepped into the video age. Mo Yan is one of the earliest writers who approached to films.His novels have been adapted into a large number of film and television works.It can be substantially pided into two periods of his adapted works. There was a harmonious coexistence between literature and films in the 80’s that it could be illustrated by the case of the successful adaption of Red Sorghum, which was written by MoYan. While films’ hegemony inhibited the literature works during the period of the 90’s, which taked the excessive adoption of Happy Times and Cotton Fleece for instance. It reflects the humanistic concern of the director or shows the different cultural conflict from films adapted from MoYan’s novels. Red Sorghum praised vigor of humanity and wakened “Purebred blood” hidden in our national blood. It presented the conflict between urban civilization and the native civilization from the film “Warm” which was adapted from the novel of The White Dog and Swing .
Keywords：Mo Yan; the Contemporary Context; Film Adaptations; Humanistic Concern; the Cultural Conflict
目 录
摘 要1
Abstract 1
前言2
一、当代语境下的莫言小说影视改编2
（一）80年代文学与影视的和谐共存2
（二）90年代以后影视霸权与文学的尴尬生存4
二、莫言小说影视改编的人文关怀5
（一）电影《红高粱》——人性的活力、民族的精魂5
（二）电影《太阳有耳》——女性意识的觉醒6
三、莫言小说影视改编的文化冲突7
（一）电影《暖》——城市文化和乡土文化的冲突7
（二）电影《幸福时光》——利他主义与利己主义的冲突8
结语9
参考文献9
致谢11
莫言小说的电影之路研究
前言
20世纪以来，科学技术不断地发展与进步，消费主义文化快速兴起，人类不再满足于原始的书本阅读方式，开始追求更多新颖快捷的文化形式，文学的生存空间受到挤压。在这种语境下，能够同步展现出声音、画面、文字的当代大众文化的出现就成了必然。大众传播手段的日益增多，使得文学找到了一个介入大众文化的切入点，即文学的影视化。
莫言作为最早接触影视的作家之一，他的作品被打上了影视化的烙印。从80年代开始，莫言的小说就不断被改编成影视作品，且多数带有时代的印记。80年代的电影《红高粱》体现了文学与影视的和谐共处关系，90年代以后的《暖》、《幸福时光》等电影则折射出了文学在影视霸权压制下的尴尬生存境况。另外，《太阳有耳》中油油女性意识的觉醒，《暖》中反映的城乡文化冲突，这些都可以作为研究莫言小说影视改编的切入点。通过研究对这些小说的影视改编，我们可以看到改编背后隐藏的人文关怀和文化冲突。
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