毕飞宇《玉米》英译本中乡土语言翻译策略研究(5)
The folk literature first appeared in Lu Xun’s Chinese New Literature。 It says that people write something to express their feelings in Beijing, no matter whether they think what they write is subjective or objective, what they write are indeed folk literature。 And from the aspects of the Beijing, they are the writers of emigration literature。 He collectively called the works of Wang Luyan, Tai Jingnong which have rural themes folk literature, and pointed out its main features: sojourning in different places, concerning about the homeland, writing feelings and showing nostalgia。 Lu Xun found the folk foundation of these writers' works。 In spite of their living in a metropolis, they still can not solve their local complex, what they described are still the folk people and things。来.自^优+尔-论,文:网www.chuibin.com +QQ752018766-
As the standard-bearer of the native literature, Lu Xun penetrated Chinese traditional culture by learning from western modern cultural philosophy and dug out citizen’s deep-rooted bad habits by observing the local customs, being sympathy to people's painful life, but also angry at their attitude of giving in to their fate。 His major works include Zhaohuaxishi, The new-year sacrifice, The True Story of Ah Q, Hometown, Storm, all taking Shaoxing as the background, and showing the universal life of village。 In other words, exposed to the poison of the feudal traditional culture, rural people show ignorance and numbness to life, not being aggressive。 Lu Xun sharply pointed out that Chinese at that time had never acquired the human rights, they were just slaves。 At the same time, obsession of hierarchy in the traditional culture and being meekly fatalistic contributed to the common people's tragic fate。 He tried to dig out the deep-rooted bad habits of farmers in China and even the whole national soul through the description of human life and worldly image in order to attract the attention of people。 Lu Xun created a series of outstanding folk literary works, setting a good example for early folk writers and being a disciple of them。 Meanwhile, these writers obeyed the literary view of “for life”, creating a series of works with a strong local flavor which depict the bankruptcy and the decline of the rural economy, savagery of custom, numbness and suffering of farmers with their own unique brushwork。 Folk literature has changed in Shen Congwen's works。 He is special among folk writers as he lived in the war era and witnessed that the moral degeneration of the world was getting worse day by day。 As a result, he turned to pursue the natural landscape of his hometown。 The compliment and construction of traditional human ideal could find full expressions in his works。 Just as he said, “ I want to show this in a form of life, a graceful, healthy, natural and not counter to peaceful human life form” (Shen, 1931)。
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